BIO GRAPHY

Trivia

Son of Bruce Lee.

Killed while filming the movie The Crow (1994) by a projectile shot from a gun firing blanks.

Lived in Hong Kong for a couple of years as a little boy.

Spoke Cantonese.

At the time of his death, was engaged to Eliza Hutton.

Mother is Linda Lee Cadwell

Brother of Shannon Lee

Interred at Lake View Cemetery, Seattle, Washington, USA.

Had blonde hair as a baby.

His Chinese star sign is the Dragon. He was born on Chinese New Year's eve, last day of the dragon.

Was first asked to play the role of Bruce Lee in his father's biopic. The role was later given to Jason Scott Lee.

Was in talks with filmmakers about making Rapid Fire 2.

Was to be married in Mexico on April 17th 1993.

Dedication at the end of Lee's last film, The Crow, reads "For Brandon and Eliza (Hutton)".

He is of Chinese, Swedish descent, English and German descent.

Since his father (Bruce) is of German-Chinese descent and his mother (Linda) is of Swedish and English descent (she has blonde hair and blue eyes), Brandon was born with blond hair which is very unusual for a person of mixed race. However, as he aged, his hair color changed to brown.

The apple never falls far from the tree: Brandon played the character "Jake Lo" in Rapid Fire (1992); his father Bruce Lee played the character "Billy Lo" in Game of Death (1978).

Nephew of Robert Lee

Grandson of actor Hoi-Chuen Lee.

Growing up in Bruce's shadow wasn't always easy for the younger Lee. As a child, Brandon was about to sign up with a local martial-arts studio...until he noticed a large poster of his dad on the wall; Brandon ran from the dojo in tears. Later, as a teenager, he dropped out of two different high-schools (once, after an "altercation" with the vice-principal).

He was a troubled youngster but an outstanding surrogate-parent. When his actress-sister Shannon Lee and a friend were arrested for underage- joyriding in their mom's car, Brandon sat her down and gave her a classic "It's Okay To Have Fun But Don't Ever Take It Too Far" lecture. Indeed, Shannon claims that if Brandon had lived to see her wedding day, he would have walked her down the aisle.

Personal Quotes

"I don't want to be remembered as 'the son of Bruce Lee'"

"I always had a pretty good knack for raising hell."

"Because we do not know when we will die, we get to think of life as an inexhaustible well. And yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you cannot conceive of your life without it? Perhaps four, or five times more? Perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless."

[About "The Crow"] "It's a story about justice for victims."

[About "The Crow"] "I've done other films with violence in them, but I must say I've never done anything where I felt the violence was as justified as it is in this...This is justice."

"I've done my work and I'm happy with it...I respect my father very much, but I'm a very different person than he was."

"I don't know if I was destined to play this role, but I feel very fortunate to be doing so." (on his last film, "The Crow")

"The trip reinforced my suspicions that, despite my Pacific Rim heritage, I'm about as American as you get." (explaining that he feels no particular affinity for Asia and does not want to live there)

"It's either in the genes, or I watched too many of his movies as a kid" (on why his film roles echo those of his dad)

"It's such an intensely personal thing for me.. I'd probably have been a little too crazy." (on why he refused the role in "Dragon: The Bruce Lee Story")

"A fight can express things people might not be able to say with words."

"It's funny, [...] for that sequence the director just said, say something insulting to him, it doesn't matter what. So I said something pretty insulting, and they didn't subtitle it, and they never asked me what it meant. [..] (Laughter)" (on the insult he says in Cantonese in the movie "Rapid Fire")

"You only have the burdens on you that you choose to put there."

"All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life."

[About "The Crow"] "It's a story about justice for victims."

[About Eric Draven] He has something he has to do and he is forced to put aside his own pain long enough to go do what he has to do."

Date of Death

The influence of Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation.....and they all have their roots in the phenomenon that was Bruce Lee Bruce Lee was born "Lee Juan Fan" in November 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately, one year later the family returned to Kowloon in Hong Kong and at the age of 5, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College, and was later beaten up by a street gang, which inspires him to take up martial arts training under the tuition of "Sifu Yip Man" who schools Bruce in wing chun kung fu for a period of approximately five years (this was the only formalized martial arts training ever undertaken by Lee). The talented & athletic Bruce also took up cha-cha dancing, and at the age of 18 won a major dance championship in Hong Kong. However, his temper and quick fists saw him fall foul of the HK police on numerous occasions, and his parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a relative's restaurant, however he eventually made his way to Seattle, Washington where he enrolled at university to study philosophy, and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Emery (later his wife) and in addition he opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts identities in the USA including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments, Bruce met Hollywood hair stylist Jay Sebring who introduced him to TV producer William Dozier. Based on the runaway success of "Batman", Dozier was keen to bring the cartoon character of "The Green Hornet" to TV and was on the lookout for an Oriental actor to play the Green Hornet's sidekick, "Kato". Around this time, Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood. Bruce's screen test was successful, and "The Green Hornet" starring Van Williams went to air in early 1966 to mixed success. However, the show was surprisingly terminated after only one season (30 episodes), but by this time he was receiving more fan mail than the show's star. He then opened a third branch of his kung fu school in Los Angeles, and began providing personalized martial arts training to film stars including Steve McQueen and James Coburn. In addition, he refined his prior knowledge of wing chun, plus incorporating aspects of other fighting styles such as traditional boxing and okinawan karate. He also developed his own unique style "Jeet Kune Do" (Way of the Intercepting Fist). Another film opportunity then comes his way, as he landed the small role of a stand over man named "Winslow Wong" intimidating private eye James Garner in Marlowe (1969). Wong paid a visit to Garner and proceeded to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shattered the light fitting. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the TV series "Longstreet" (1971). With his minor success in Hollywood and money in his pockets, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Chow who had recently started "Golden Harvest" productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in _Tang sha da xiong (1971)_ ( aka "Fists of Fury", aka "The Big Boss"). The film was directed by Wei Lo, shot in Thailand, on a very low budget and in terrible living conditions for cast and crew. However when it opened in Hong Kong, the film was an enormous hit! Young Chinese flocked in their thousands to see this ground breaking film starring a tough, athletic Chinese hero who dispensed justice with his fists and feet. Chow knew he had struck box office gold with Lee, and quickly assembled another script entitled Jing wu men (1972) (aka "The Chinese Connection", aka "Fist of Fury"). The second film (with a slightly improved budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find his beloved master has been poisoned by the local Japanese karate school. Once again, he uncovered the evil doers and set about seeking revenge on those responsible for murdering his teacher. The film featured several superb fight sequences, and at the film's conclusion, Lee refuses to surrender to the Japanese law and seemingly leaps to his death in a hail of police bullets! Once more, Hong Kong streets were jammed back with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, _Meng long guojiang (1972)_ (aka "Way of the Dragon", aka "Return of The Dragon"). A bigger budget, meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert Ing-Sik Whang, karate legend Robert Wall and seven times US karate champion Chuck Norris. Bruce played a seemingly simple country boy sent to assist at a cousin's restaurant in Rome, and finds his cousins are being bullied by local thugs for protection. By now, Lee's remarkable success in the Orient had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film, and also insisted on B-movie tough guy John Saxon co-starring alongside Lee to give the film more Western appeal. The film culminated with another show stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks, Bruce was involved in completing over dubs and looping for the final cut. Various reports from friends and co-workers cite how he was not feeling well during this period, and on July 20th 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache tablet, and was later unable to be revived. A doctor was called, and he was then taken to hospital by ambulance and pronounced dead that evening. The official finding was death was due to a cerebral edema, caused by a reaction to the headache tablet. In other words, death by misadventure. Chinese movie fans were absolutely shattered that their virile idol, had passed away at such a young age, and nearly 30,000 fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with American audiences, which then prompted National General films to actively distribute his three prior movies to US theaters...each of them was a box office smash. Bruce Lee was an international film star after he had died! Fans worldwide were still hungry for more Bruce Lee films, and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a look alike actor and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line up, and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Si wang ta (1981) (aka "Game of Death II"), with more look alike and stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee. Family:

Linda Lee Cadwell(wife)

branden Lee(son)

Shannon Lee(daughter)

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Before starting his career in the film industry, he had to take up all sorts of odd jobs. He served as a bus conductor for Karnataka state transport corporation in Bangalore. It was during this time that he nurtured his acting interests by performing in various stage plays.

Rajini, the real mantra of Tamil Nadu. Rajinikanth, the carpenter-turned-coolie-turned-conductor-turned Super Star says: "I couldn't have asked God for more."

A bit of a recluse, Rajni may be. But everyone who's had the privelege of a darshan with the thalaivar has come away with a spring in his step and a warm glow in the heart. Warm, friendly and affable, he's the sort who deserves all the superstardom he's earned. Such men, indeed, are rare...

The evergreen unique actor and the Superstar of Tamil industry, Rajinikanth was introduced by the renowned director, K.Balachandar in the movie Aboorva raagangal as a co-artist. It's been 25 years, believe it or not, since the Super Star made his debut with an inconsequential role in a Tamil film. From villain and antihero to blockbuster supernova, the gifted actor has made the most of every outing. And he's deserved every bit of the success. SCREEN analyses why...

It's a wide angle shot. A man is seen opening a gate, dressed in rags and smoking a beedi. A terminally ill disease writ large on his face. Precisely on that frame appears the Sanskrit term shruthi bedham, coupled with an off screen voice, an undoubtedly inauspicious start to any debutante's first screen appearance, especially in the maiden frame.

The film was Apoorva Raagangal (1975). The film itself was thick in controversy, and nobody took notice of the young newcomer, who was on screen barely for fifteen minutes, muttered a few apologetic words to the wronged woman and ultimately died an unsung, unheroic death.

No one in the audience, even in his wildest imagination, would have thought this nondescript man, who had won the least attention in the film would ever win over millions of hearts in Tamil Nadu. Or ride the state like a colossus. Or even that his sway over the masses would be so intense that he could rewrite the fate of Tamil Nadu politics, exactly two decades after the release of his first film.

K Balachander, the director who has an uncanny knack of creating stars, first met Rajnikant at the film institute, where he was a student. Balachander glanced at the dark young man and crisply asked him to meet him in his office the next day. When Rajnikant walked into his office gingerly, Balachander informed him he was going to act in his next film. Overwhelmed by the sudden offer from a big director, Rajnikant just could not believe his ears. It's a feeling Rajni still recounts whenever in the mood of reminiscence.

Later, Balachander confided in his close friend and associate Ananthu, Watch out! There is a fire in the young man's eyes. One day he will take Tamil Nadu by storm. How true the prediction turned out!

Producers went all out to capitalise on this new wonder called Rajnikant, and a string of films projecting him as an anti-hero, with all his stylish mannerisms in full swing, were released in quick succession. Gayathri had him shooting blue films of his wife without her knowledge, Bhairavi, Shankar Salim Simon and the like. Rajni had, by now, become an indisputable star in his own right, a force to reckon with.

Though Rajnikant persistently refers to K. Balachander as his guru, it was director SP Muthuraman who actually revamped Rajni's image entirely. Muthuraman first experimented with him in a positive role in Bhuvana Oru Kelvikkuri, as a villain in the first half and a refined man in the second, accepting a woman with a child ditched by her lover. The success of Bhuvana Oru Kelvikkuri prompted SPM to make a mushy melodrama with Rajni as a hero sacrificing everything for his siblings, a role ideally tailormade for Sivaji Ganesan! That film was Arulirunthu Arupathu Varai, in which Rajni's mannerisms were totally missing and he even appeared as an old man in the last few frames. Even while the film was in the making, Rajni had misgivings about whether the audience would accept him in tear jerkers of this kind. But the film got made and its box-office success made Rajni popular among women audiences, too. These two films were a turning point in Rajni's career he changed from an actor who merely enthralled the audiences, to one who also made them weep. The acceptance of Rajni sans his mannerisms proved he'd at last become an actor from a star. Around this time came Mullum Malarum, directed by J Mahendran, which established Rajni as a hero with a slight tinge of the negative.

Rajnikant's entry may have been humble, in an insignificant role but the success he achieved in a very short span was unimaginable. A popular Tamil magazine brought out a special supplement at a time when his still on the make, and, he presto, the magazine's sales doubled with that issue alone.

Such mass adulation, the thunderous rain of applause when Rajni delivered his lines, all put together, made him a phenomenon. It was at this point that Rajni realised the onus had been thrust on him. The fate of producers hinged on him alone. This sudden exposure to the glare of the media and the popularity and money he never imagined would be his, created a lot of stress in his mind. At that crucial time in his career when his market price had just begun to zoom, he decided to opt out of films completely, sending shock waves to his fans. Balachander, Kamalhaasan and his other well-wishers somehow, coaxed him into staying on.

The second phase of his life started with K Balaji's Billa, a superhit disproving the canard spread by detractors that Rajnikant was finished. He was accepted as a full-fledged hero. Billa was followed by a row of hits like Pokkiri Raja, Thanikkattu Raja, Naan Mahaan Alla and the all-important Moondru Mugham, in which Rajni essayed a triple role. Even two decades after its release, the last continues to be a box-office draw and Rajni's fans can never tire of the thalaivar's verbal clash with villain Senthamarai. K Balachander's first home production, Nettrikkam proved to be yet another milestone in Rajni's career.

An analysis of Rajni's career graph shows a remarkable absence of fits and starts. It has been a slow and steady rise to the very top. As Rajni sings in a hit song from Badshah, a man's life may be divided into eight divisions. Rajni's own career may be divided into three segments. The first as a villain, the second as a hero with negative traits, and the third and present phase, as the reigning czar of Tamil filmdom. With Rajni's films fetching crores and his market price skyrocketing, the costs of production of his films became unmanageable. And Rajni has since had to stick to a one film per year formula, sometimes, he could do a film once in two years.

The new trend where his films' collections exceed normal regional film expectations started off with Badshah, followed by Annamalai, Arunachalam, Ejaman, Muthu and Padayappa. It's now an accepted fact that only a Rajnikant film can break records set by his own films.

As an actor, Rajnikant's greatest asset, apart from his style is his sense of humour and comic timing. Like Amitabh Bachchan is popular for his drunken soliloquies, Rajnikant is famous for his comic encounters with snakes, repeated umpteen times.

In the early 80s, Rajnikant made a foray into Bollywood with Andhaa Kanoon, a superhit. But Rajnikant could not concentrate on Hindi films because he was already safely ensconced down South. He still made a few films in Hindi, to mention specially Chaalbaaz which had Sridevi in a dual role. Rajni also enjoys a special kind of popularity in Telugu films and his Peddarayudu (remake of Tamil hit Nattammai) seems to have broken all previous records. The Telugu version of Padayappa has been a money-spinner, too. Rajnikant became a trendsetter recently with his Muthu and its songs becoming a rage in Japan and now, Padayappa running to packed houses in the UK and USA.

Basically a religious person, Rajnikant has always owned up his faith. "I was brought up by the Ramakrishna Mission and it's from there that I have inherited this religious frame of mind," he keeps saying. Even his films have him openly sharing his faith. In Arunachalam he mouths that famous line, "God decides and Arunachalam executes it." His public meetings are always spiced with humour and embellished with anecdotes from mythology.

Married to Lata, an English literature graduate, hailing from an elite Iyengar family in 1980, Rajni has two daughters who are carefully kept away from the limelight. Lata herself a versatile singer, now runs a school called The Ashram. The couple indulges in a lot of charity, the latest being converting his Raghavendra Kalyana Mandapam into a charitable trust to help the poor and needy.

Ego and starry airs are unknown to Rajnikant. During breaks he hardly ever rushes to his air-conditioned makeup room. Instead, he prefers to sleep on the sets, even without a pillow, merely covering his eyes with a wet cloth. He never comes to functions with a retinue behind him and even prefers to drive his own car.

Rajnikant's phenomenal success and his sway over the masses make people speculate whether he will follow the footsteps of the late MGR and enter politics. Though there has been a lot of pressure on him to enter politics by the likes of actor turned journalist, Cho Ramaswamy ("Rajnikant is the best choice for chief ministership because he has a basic integrity and simplicity, a quality which is very rare these days") Rajnikant has persistently maintained a diplomatic silence, except for the fact that he openly supported the ruling DMK in the last assembly elections and discreetly in the recent Lok Sabha elections. When pressed, Rajnikant answers in his own inimitable style, "Yesterday I was a conductor, today I'm a star, tomorrow what I'll be only He knows!"

A bit of a recluse, he may be at heart, but everyone who's had the privilege of a darshan with the thalaivar has come away with a spring in his step, and a warm glow in his heart. Warm, friendly and affable, he's the sort who deserves all the superstardom he's earned. Such men, indeed, are rare.

MGR was a member of the Congress Party till 1953 and he used to wear kathar and wear vibhuti on his forehead. In 1953 MGR joined the DMK. He became a vocal Tamil and Dravidian nationalist and prominent member of the DMK (Dravidian Progressive Federation). He added glamour to the Dravidian movement which was sweeping Tamil Nadu. He became a member of the state Legislative Council in 1962. He was first elected to the Tamil Nadu Legislative Assembly in 1967. After the death of his mentor, Annadurai, MGR became the treasurer of DMK in 1969 after Karunanidhi became the chief minister.

In 1967, he was shot in the neck by fellow actor and political aspirant M.R. Radha. The bullet was permanently lodged in his neck and his voice damaged. He wanted the financial details of the party to be publicised which enraged the leadership of DMK and in 1972, MGR was expelled from the party. MGR then floated a new party named Anna Dravida Munnetra Kazhagam (ADMK) which was later renamed All India Anna Dravida Munnetra Kazhagam (AIADMK), the only powerful opponent of the DMK. He became Chief Minister of Tamil Nadu in 1977, and remained in office till his death in 1987. In 1979, Members of his party became the first dravidian and non-congress party from Tamil Nadu to become ministers in the Union Cabinet. It is to be noted that the AIADMK won every state assembly election as long as MGR was alive. He was the first film actor to be a Chief Minister in India

SOCIAL WORK

MGR was always the first to personally offer relief in disasters and calamities like fire, flood, drought, and cyclones, he was the first donor during the war with China in 1962, donating Rs. 75,000 to the war fund. He was the founder and editor of THAI weekly magazine and ANNA daily newspaper in Tamil. He was the owner of Sathya Studios and Emgeeyar Pictures which produced many of the films he acted in. He also founded the MGR Schools in Kodambakkam giving free education and food for the film workers children in 1953. He was the president of Nadigar Sangam - South India Film Artists Association for four terms. He willed all his property for the welfare of the poor and hearing impaired people of Tamil Nadu.